5 Inevitabilities of XCOM

I don't remember eating that

With XCOM: Enemy Within due to launch in November and The Bureau: XCOM Declassified looking like an embarrassing, poorly conceived mess, I thought it was about time I dusted off XCOM: Enemy Unknown for another round of heavy floater flushing. EU is that rarity in the console world - a RTS that works. Buggy and chuggy it may be (there are some crazy frame rates on some of the larger downed spaceships) but with just a few customisation options and neat little touches XCOM has succeeded in creating characters I have way more affection for than Niko Bellic or Nathan Drake. My Scottish Assault guy, Robert Hill, is nicknamed 'Mad Dog'. I like to think Firaxis did this on purpose. Whether intentional or not, his name, nationality and ginger crew cut tells me all I need to know about Rabbie 'Mad Dog' Hill. Like Ukrainian Heavy Mikhail 'Casino' Petrov, it's easy to imagine these soldier's lives and personalities outside of an alien invasion.

But as much as XCOM gives, it loves to take away. I'm excited by the forthcoming heavy mechs and the new squiddy-looking enemies, but I'm sure there will be more alien species they have yet to show us which will be insanely bastard hard. And that's why you should steel yourself to the

5 Inevitabilities of XCOM

1) Even if they are Colonels, your snipers will always miss that crucial shot...

Congratulations, you've doomed everybody

You can train them to have an advantage on higher ground then grapple or archangel them up to the highest point on the map, you can level them up til their aim is at max and then give them a scope so it tops 100, but when your rookie is at the mercy of a Muton Elite, or a trio of Chryssalids, or even just a Thin Man who refuses to die, your sniper will let their ammo fly uselessly into the ether, dispassionately telling you; "Shot failed to connect,"as if they didn't just cost the young blood of XCOM his life.

2) ... unless you kind of want them to

Yup, looks pretty big there

Like when you've spent a few turns carefully lowering a Beserker's health so you can sneak in and stun him, only to have him move and get taken out with that critical you needed earlier when the Sectopod was going around blowing everyone up and both your snipers missed even though they had an eighty-fucking-five-percent chance to hit, and it's also a RUDDY MASSIVE ROBOT. (Apart from when it's on the autopsy table later. As if autopsying a robot isn't weird enough, it's also now the size of an average horse. Check that out next time you replay. It's like some Lord of the Rings sizing continuity.)

Ewww... People are made outta snakes?!

3) When you get bored and decide to dash in, a fuckton of Chryssalids will show up and eat your soldiers' faces off

Even once you've beefed up your soldiers' defences, these guys run in packs and it only takes strikes from a couple of them before the third one is chowing down on tasty eyeballs.

Slave to Convention

So, after Just Cause 2 became unplayable due to freezing issues, and attempting to construct levels in Little Big Planet reminded me why I gave up last time around (no patience or artistic ability) I needed something to get my teeth into. I went for a game I've mentioned wanting to play a couple of times - Enslaved: Odyssey to the West.

Robert Carlyle as Hitler. Obviously.

Enslaved is written by Alex Garland, whom I have a love/hate relationship with. Dredd, 28 Days Later, Sunshine - all pretty darn good (although on a second viewing, Sunshine made less sense than I remembered), The Beach - a fucking abomination. One of the few movies I have actually considered walking out of at the cinema. Even Robert Carlyle on top creepy drug dealer form couldn't save that movie. So... I was a little suspicious, but had seen and heard good things, so was willing to give him the benefit of the doubt.

Enslaved has possibly the best opening sequence of any game I've played. I'm trying to think of one that betters it, and I can't. Thrown straight into the action, you're on a spaceship, it's crashing, and you need to not die. That's pretty much all the exposition you get, and it works. My heart was thumping as I leapt through burning debris and scrambled along collapsing pipework. After surviving that ordeal, I was able to get to know the character I was controlling; Monkey.

It says a lot about the state of modern games characters that I found myself thinking; "Oh, well, at least he isn't classically handsome."At first glance, Andy Serkis's everyday mug is the only thing that distinguishes Monkey from the obligatory tall, white, muscle-bound guy that takes the lead in every game since ever. But, as ever with Serkis's performances, Monkey proves to be a more interesting guy than expected, with greater depth and sensitivity than most stacked games lugs can offer. Opposite Monkey, is Jolie-alike Trip, a voluptuous, wide-eyed engineer, who makes up for her lack of combat skills (at first) with a wealth of technical abilities.

Enslaved is relatively well-known for being critically acclaimed but commercially unsuccessful. Many felt that the art style was outstanding and the storyline mature and nuanced. While I'd definitely agree about the art style - Enslaved looks unique and every scene pops with colour and definition, I have to call bullshit on the storyline stuff.

As I said, Trip is initially pretty resourceful. She traps Monkey in a slave headband, reprograms everything in sight and constructs a handy little dragonfly reconnaissance fella out of junk. But the use of her as a gameplay 'tool' (Monkey literally throws her about in some sections because she's apparently incapable of jumping or climbing on her own) made me uneasy, and later my uneasiness was confirmed when Pigsy announced: "You stay behind, Trip. This is man's work." I couldn't decide whether this was some kind of Garlandy attempt at postmodern irony, but the reality is Trip WAS left behind, and wasn't considered capable enough to do the incredibly manly work of climbing up a crane, even though she'd already climbed numerous similar structures in earlier sections of the game. Up until this point, Trip and Monkey were represented relatively equally: Trip's outfit is unnecessarily skimpy, but then Monkey doesn't wear a shirt and is about as close to being sexualised as I've seen in a male character. Trip's not that strong, but then Monkey isn't that bright. Trip has a silly hair accessory, but then Monkey has a stupid scarf-belt. But now, we're told that an obese, elderly, disabled man is the better choice for climbing a crane than Trip. Essentially, ANYONE but a girl.

"Stay here Trip, this guy's better suited to climbing."

I've played on, and while I find Monkey and Trip's burgeoning romance mildly diverting, I've fallen so far out of love with the game, it doesn't have the impact that would've been possible if I hadn't felt alienated. The relationship has been soured by Trip bleating "Help, help, Monkey, HELP!" as she clung to the back of a runaway mech. (Just let go, you stupid cow!) I'll get to the end out of a sense of duty, rather than a desire for discovery, which is a shame.